Music
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The Album: A Visual Celebration of Australian Music (A Special Issue of not only Black+White Magazine
Marcello Grand
Sydney: Studio Magazines, [1997].
A special issue of Not Only Black + White featuring photography, some nude, of Australian musicians. Published between 1992 and 2007 Black+White was a coffee table format magazine which featured work from some of the world’s top photographers, often nude or semi-nude portraiture, together with interviews with photographers and celebrities and articles on popular culture and current events. -
Sound Practices: A Journal of Audio Technology
Joe Roberts
Alexandria and Austin: Sound Practices, 1992-1997.
A complete run in 16 issues of the audiophile journal Sound Practices edited by Joe Roberts. “…hands-down the hippest and most controversial hi-fi ‘zine, reverses the common belief that the hi-fi gear of the ’30s, ’40s, and ’50s sucked and that modern components sound superior. This mag argues just the reverse: that ever since the gritty transistor replaced the smooth-sounding tube, the sound of hi-fi systems has steadily gotten worse instead of better. .. Lest you think that a bunch of guys into ’30s retro-tech are old freaks, the Sound Practices mob is made up of swashbuckling techno-anarchists who range from members of the avant-garde NY art scene to many of the most well-respected minds in international hi-fi. And the articles range from the highly technical to wildly imaginative think pieces.” (Wired, 1st December 1994) -
Stereo Microphone Techniques
Bruce Bartlett
Boston and London: Focal Press, 1991. -
Tonmeister Technology: Recording Environments, Sound Sources, Microphone Techniques
Michael Dickreiter
New York: Temmer Enterprises, 1989.
With 157 tables and illustrations. Translated from the German by Stephen F. Temmer. -
Tuning, Timbre, Spectrum, Scale
William A. Sethares
London: Springer, 1998. -
The Science of Musical Sounds
Johan Sundberg
San Diego: Academic Press, 1991.
Part of the Academic Press Series: Cognition and Perception. -
Tokyo GlamRock: The Work of Matsukage and Ujino
Chris Horrocks
: iMMprint, 2002.
The art, music and design of the Japanese duo Matsukage and Muneteru Ujino. -
Mad Love Song Book
Linda Ronstadt
Hialeah: Columbia Pictures Publications, 1980.
Photography by Peter Howe. -
More Dark Than Shark
Brian Eno; Russell Mills
London: Faber and Faber, 1986.
Graphic interpretations of the music and lyrics of Brian Eno by Russell Mills. With commentaries by Rick Poynor. -
Zinkzong Musikmagasin Nr. 4
Arild Polden
Ski: Zinkzong Musikmagasin, 1981.
Single issue of Norwegian music zine Zink. -
Blinds & Shutters
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First Edition. Signed by person(s) connected with book
37cm x 26cm. [iv], 368 pages, colour illustrations. Full leather, custom cloth box with inset original photograph.
An extensive and intimate look into the 1960s art and music scene through the lens of British photographer Michael Cooper (1941-1973) compiled by Brian Roylance with contributions from 93 top artists, writers, and musicians from the time. Produced in a numbered edition of 5,000 copies, each with a tipped in sheet of signatures from a different collection of contributors, and with a unique original photograph mounted in the box lid. This copy signed by Neil Aspinall, Peter Blake, Eric Clapton, Adam Cooper, Terry Doran, Allen Ginsberg, Allen Jones, Perry Richardson, George Segal, Colin Self, Terry Southern, and Bill Wyman, and with a photographic portrait of Keith Richards wrapped snugly in a blanket living the hippie life at Joshua Tree circa 1969.
Very minor shelf wear and marks to slipcase and leather. Near Fine Condition. -
Fear and Loathing in Las Vegas (Rolling Stone No. 95 & 96, November 11 & 27, 1971
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First Edition.
44cm x 28.5cm. 72, 72 pages, 2 volumes, black and white illustrations. Folded newsprint self-wrappers.
The 2 issues of Rolling Stone comprising the first serial edition of the psychedelic cult classic and landmark of gonzo journalism, Fear and Loathing in Las Vegas. This original version published under Thompson’s alter ego, Raoul Duke, also the main protagonist of this drug fuelled exploration of the American Dream, and played by Johnny Depp in Terry Gilliam’s 1998 film adaptation. Several characters are identified in the Rolling Stone story by their real names which are later edited in the book form first published in 1972. This lot without the Los Angeles Flyer 20 page supplement to Rolling Stone Issue No. 95.
Subscriber’s sticker to No. 95. Chip at spine tail of No. 96. Else minor tanning and a few minor closed tears and chips. Good Condition. -
Yugambeh Talga: Music Traditions of the Yugambeh People
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First Edition.
22cm x 17cm. 63 pages, black and white photographs, illustrations, musical score. Pictorial wrappers.
“For the first time the music of the Yugambeh language region has been gathered in one place. This book opens a window on the musical traditions of the Aboriginal people of the region that extends from the Logan River in south-east Queensland to the Tweed River on the border with New South Wales. The real authors of this book are the many people listed in the acknowledgments and end notes. They were the ones who first recorded their experiences and events or shared their personal recollections.” This copy with a compliments of the Yugambeh Museum slip signed by one of the authors laid in.
Minor shelf and handling wear. Very Good Condition. -
San Francisco Express Times (Complete Run, 61 Issues 1968-1969 w/ the First 7 Issues of Good Time)
Marvin Garson; Robert Novick
San Francisco: The Trystero Company, 1968-1969.
Complete run of the weekly underground newspaper San Francisco Express Times from Vol. 1 No. 1 January 26, 1968 – Vol. 2 No. 12, March 25, 1969, being all 61 issues before it was renamed Good Times being , here offered with those first seven issues, being Vol. 2 No. 13, [April 1969] – No. 19 May 14, 1969. Good Times continued (on a less regular publishing schedule) until August 2, 1972. Founded by Marvin Garson and Bob Novick the Express Times was a counterculture tabloid covering and promoting radical politics, music, arts, and progressive culture in the Bay Area. It featured extensive coverage of student riots including the prolonged strike at San Francisco State University, and a serialized novel of guerrilla warfare in the United States, Berkeley Guns by Lenny Heller, as well as a weekly cooking column by Alice Waters, illustrated by David Lance Goines. Regular contributors included Todd Gitlin, Greil Marcus, Paul Williams, Sandy Darlington, and Marjorie Heins, alongside staff photographers Jeffrey Blankfort, Nacio Jan Brown, and Robert Altman, and cartoons by Jaxon, Ron Cobb, and Sharon Rudahl. Also featured are writings by or about Richard Brautigan (Note: The final issue credits themselves for publishing 62 issues in total, however this is believed incorrect, there being 61 issues published weekly with a week taken off at the New Year. Comparable holdings found also note the total as 61. Also note Vol. 1 No. 13 misnamed No. 14, April 18, 1967 [1968], sequential numbering then corrected with No. 14 designated as No. 14.5) -
Belfast Punk: Warzone Centre, 1997 – 2003 (Deluxe Edition)
Ricky Adam
Bologna: Damiani Editore, 2017.
The deluxe edition, limited to 15 copies, with an original signed and numbered photograph by Ricky Adam. “The Warzone Collective began in 1984 in Belfast, Northern Ireland, when a few local punks decided to consolidate their efforts and find their own venue, practice, and social space. In 1986, the Collective opened Giros, its first premises in Belfast, which contained a vegetarian cafe, practice space, and screen printing facilities. It soon became a focal point for anarchists and punks. In 1991 the Collective moved Giros to a larger and more ambitious venue, the spot where all of the photographs in this book were taken. Over the years, thousands of people passed through Giros’ doors. A strong D.I.Y. ethic defined the way gigs and events were organized. It didn’t have an alcohol license, and it was an all ages venue. The Warzone Centre, or The Centre as it was called by some, became the countercultural hub for the greater Belfast area and beyond. Bands from all over the world played there, and it was famous for being one of the best in Europe for D.I.Y. punk. The photographs in this book were taken between 1997 and 2003. Toward the end of 2003, the Centre closed, leaving a huge gap in radical Belfast culture. It reopened in 2011, in a different venue on the opposite side of town and is still going strong today.” (publisher’s blurb) -
Musical Loners (3 Volumes)
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First Edition.
29.5cm x 20.5cm. 3 volumes. Pictorial saddle-stapled wrappers.
A discography of Australian rock and pop artists that only had one release. 3 volumes: during the periods: 1970-1979 and 1980-84, 1985-89.
. Fine Condition. -
PUNK ROCKhampton: Central Queensland Indie Music History, 1979-1999
Cameron Borg
Bendigo: Moonlight Publishing, 2000. -
Brisbane Bands, 1957-1994 (5 Volumes)
Zbig Nowara; Chris Spencer
Bendigo: Moonlight Publishing, 1996-1997.
List of Brisbane Bands, in 5 volumes: 1957-1969, 1970-79, 1980-84, 1985-89, 1990-94. -
Tuning: Containing the Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament and The Science of Equal Temperament
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28.5cm x 21cm. xxiii, 798 pages. Red leatherette, gilt lettering.
Complete With Instructions for Aural and Electronic Tuning. The ultimate reference on historical tuning.
Spine slightly discoloured. Foxing to edges, minor to first two leaves. Previous owner’s name, highlighting to glossary only. Good Condition. -
Studies in Indonesian Music
Margaret J. Kartomi
Melbourne: Centre of Southeast Asian Studies, Monash University, 1978.
Monash Papers on Southeast Asia – Number Seven. 3 papers by David Goldsworthy, Catherine Falk, and Bronia Kornhauser, edited by Margaret J. Kartomi. -
Elvis: Through My Eyes
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First Edition. Signed by Author
23.5cm x 16cm. 196 pages. Quarter cloth, gilt lettering, illustrated jacket.
Includes 32 pages of black and white photographic illustrations. This copy signed by Burk and with an original 1985 Elvis postcard laid in.
Minor to moderate tanning. Shelf worn jacket with minor chips and tears and some discolouration to spine. Good Condition. -
The Superstars of Rock
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First UK Edition.
30cm x 23.5cm. 64 pages, colour illustrations. Pictorial glossy papered boards, no jacket.
Minor bump to spine crown. Foxing to endpapers. 2cm closed tear to tail edge of page 7/8. Good Condition. -
The Free Fantasia and the Musical Picturesque
Annette Richards
Cambridge: Cambridge University Press, 2001. -
Les Enfants De Jean Bart: Carnaval, Chansons et Parler Dunkerquois
Jean Denise
Dunkirk: Westhoeck-Editions, 1978.
Musical score by composer Jean Denise. Includes introduction by Christian Bommel and contributions by Serge Blanckaert, Jean Chatroussat, Michal Heyden, Roch Vandromme, Jean Wispelaere, and David Riefenstahl. -
New Kids On The Block: The Whole Story By Their Friends
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First Edition.
23cm x 16cm. vii, 120 pages, colour illustrations. Pictorial wrappers.
Spine discoloured. Very minor general wear. Good Condition. -
Noise Matters: Towards an Ontology of Noise
Greg Hainge
New York: Bloomsbury, 2013. -
Notes from the Metalevel: Introduction to Algorithmic Music Composition
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First Edition.
24.5cm x 16.5cm. xiv, 340 pages, 1 CD. Pictorial glossy papered boards.
A practical introduction to computer assisted music composition. Includes the accompanying CD.
Ex-Queensland University of Technology Library stamps and stickers. Minor soiling to endpapers. Minor shelf and handling wear. Good Condition (ex-library). -
The First Ten Years of the Modern Country Music Association (Later A.C.M.A.), 1964-1974
Dick Eckert
Yandina: Australasian Country Music Association Incorporated, 2001. -
Music Therapy for Handicapped Children, Volume 1
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Second Edition.
27.5cm x 21.5cm. viii, 120 pages. Illustrated side-stapled wrappers.
Fore-edge corners bumped. Wrappers rubbed, small pieces torn from crown and tail of spine. Edges tanned. Good Condition. -
Bundaberg Orpheus Singers present Handel’s Oratorio Messiah, Bundaberg Civic Centre, Saturday 11th December 1971
John Stoutley
Bundaberg: Bundaberg Orpheus Singers, 1971.
Programme for a 1970s choir performance by the Bundaberg Orpheus Singers.